WRITING QUOTES VII

quotations about writing

I think a good writer is a mix of confidence (sure that what they're writing is going to appeal to their readers) and uncertainty (what if all these words are crap?). If you're too confident, you get an attitude that seeps through into your writing, affecting the characters and the story. If you're too uncertain, you'll never finish anything.

CHARLES DE LINT

interview with Kim Antieau, April 28, 2008

Tags: Charles de Lint


Every word written is a net to catch the word that has escaped.

JEANETTE WINTERSON

The Stone Gods

Tags: Jeanette Winterson


But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action.

ARISTOTLE

Poetics

Tags: Aristotle


You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.

PETER ABRAHAMS

End of Story

Tags: Peter Abrahams


When I'm writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness.

MAYA ANGELOU

The Paris Review, fall 1990

Tags: Maya Angelou


To me, writing is not a profession. You might as well call living a profession. Or having children. Anything you can't help doing.

VICKI BAUM

I Know What I'm Worth

Tags: Vicki Baum


The funny thing about writing is that whether you're doing it well or you're doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.

JOHN GREEN

"July 19: A Day in the Life of a Writer (Who Has No Friends)", YouTube


The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of history.

JOHN DOS PASSOS

"The Business of a Novelist"


So basically, it's totally selfish why I write. There are more harmful ways to spend your time, is how I justify it I guess. If my stories can make others laugh, or make others feel unexpected and complicated emotions, well then it's more than feeling good, then it's a bonus, then its rewarding, then you're building community.

TYLER BARTON

"Millennial Writers on Writing", Huffington Post, February 16, 2016


Many writers are there that paint a stolen jade and sell it for a colt at the nearest fair.

AUSTIN O'MALLEY

Keystones of Thought

Tags: Austin O'Malley


It is hard to make a good documentary about writing. Writing is internal, it slowly takes shape in a mind, sometimes after the not very cinematic process of staring at a wall until the words come.

JULIA COOPER

"Obit doc examines the art of the obituary at The New York Times", The Globe and Mail, March 30, 2017


I've never written the things I'd like to write that I've admired all my life. Maybe one never does.

ELIZABETH BISHOP

Conversations with Elizabeth Bishop

Tags: Elizabeth Bishop


I've come to believe that a huge part of getting better at writing is forcing yourself to see the things that have been in the corner of your eye all along. That means writing stories that include characters from other cultures and backgrounds--but also, being more open to other viewpoints in general. It also means interrogating all of your other lazy ideas and drilling into all of the "of courses" that you let yourself get away with.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


I hardly ever work from a synopsis -- I find they act like chains.

TANITH LEE

Realms of Fantasy, August 2009

Tags: Tanith Lee


Fiction is the only way to redeem the formlessness of life.

MARTIN AMIS

Essays


You are that most ambiguous of citizens, the writer.

SAMUEL R. DELANY

The Motion of Light in Water

Tags: Samuel R. Delany


When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.

ERNEST HEMINGWAY

The Paris Review, spring 1958


When asked for advice by beginners. Know your ending, I say, or the river of your story may finally sink into the desert sands and never reach the sea.

ISAAC ASIMOV

I, Asimov: A Memoir

Tags: Isaac Asimov


What separates the professionally successful ... from all the rest is their ability to stay steady, to have stamina. It is one thing to write a good sentence, another to write a good book.

KATY LEDERER

interview, Identity Theory, February 12, 2005

Tags: Katy Lederer


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

Tags: Amy Hempel